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Irene Waters
Irene Waters 19 Writer Memoirist
I began my working career as a reluctant potato peeler whilst waiting to commence my training as a student nurse. On completion I worked mainly in intensive care/coronary care; finishing my hospital career as clinical nurse educator in intensive care. A life changing period as a resort owner/manager on the island of Tanna in Vanuatu was followed by recovery time as a farmer at Bucca Wauka. Having discovered I was no farmer and vowing never again to own an animal bigger than myself I took on the Barrington General Store. Here we also ran a five star restaurant. Working the shop of a day 7am - 6pm followed by the restaurant until late was surprisingly more stressful than Tanna. On the sale we decided to retire and renovate our house with the help of a builder friend. Now believing we knew everything about building we set to constructing our own house. Just finished a coal mine decided to set up in our backyard. Definitely time to retire we moved to Queensland. I had been writing a manuscript for some time. In the desire to complete this I enrolled in a post grad certificate in creative Industries which I completed 2013. I followed this by doing a Master of Arts by research graduating in 2017. Now I live to write and write to live.
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Monthly early each month Times Past

Every Weekend Weekend Coffee Share

Sunday: Sunday Stills

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Floral Friday: Cosmos
Friday Fictioneers: The Premonition
“I haven’t slept in years.”
“Why’s that, do you think?” The therapist sucked his pencil thoughtfully.
“As soon as I try to sleep I have visions of dying. Even as a child. I’d shut my eyes and I’d see my death. It didn’t stop me sleeping then. Now I’m older each night I fear death will take me.
‘You know that’s an irrational thought.”
“I know but I can’t help it.”
“Tonight you’ll sleep. I’ll hypnotize you to believe you won’t die and you’ll sleep like a dead man.”
The headlines read Dead man found in bedroom after the fire.
In response to the above photo prompt for Friday Fictioneers.
Thursday’s Special: Water in Sydney City
Water is an important part of the city of Sydney’s landscape. It can be small — one of numerous small ponds and fountains to be found around the city’s walkways.
Or it could be one of the larger although still artificial lakes to be found in the Botanical gardens. These have abundant bird life and also as some children found eels constantly at the ready to nibble at fingers or any other body part offered to them.
Nothing of course can take away from the huge body of water that makes Sydney Harbour one of the best natural harbours in the world. Certainly it is the largest harbour in the world.
Prepared in response to Paula’s Thurday’s Special.
Cee’s Fun Foto Challenge: Close Ups of Sydney
(12 photographs) The Sydney Opera House Sails
The boar with the golden nose
I know not what but obviously the remains of an early (by Australian standards) building
A fig perhaps?
In response to Cee’s Fun Foto Challenge
Wordless Wednesday: Sydney Rock oysters
99 Word Flash Fiction: Renewal
Work
On knees
head on ground
Proud supplicants
Abandoned by the state
Shunned by those who used to care
Once, they were sons and daughters, mothers and fathers
Days end, these sons and daughters, mothers and fathers
Head home to their tiny public cardboard rooms
Public verandahs protect from rain
grimy, slimy sleeping bags
Possessions few
Chinese bags
Homeless
Cold
A homeless girl Giving renewal
A scholarship she won Empowering homeless
Yet still she knows She trains
Cold kills She employs
Coats needed is not a fix.
S0 she sews this bandaid
Yet she knows
On a recent trip to Sydney I was met with homeless people by the score. On every street corner was a person begging. Most sat on their knees with their heads touching the ground. Arms stretched out. A container of some type between them to take what meagre offerings were given. Most people walked past without seeing them. Perhaps without care or perhaps with so much they didn’t know what to do.
The building on a corner near my hotel was home to these homeless people. They had carved out their own space with card board boxes creating rooms. Their sleeping bags lay rumpled as though they had arisen and not made their bed that morning. A soup kitchen on Martin Place fed them. This wasn’t the only place they slept. On arrival at the library for an early morning start one man lay in his sleeping bag, asleep by the front door.
Discussion was held “Do we wake him?” They let him sleep. There was no need for him to be up that early. The library didn’t open officially until 1o. I was overwhelmed. I could give some money but that was such a temporary answer. I was pleased to come across this video on my return. This was what is needed.
She Gets Yelled At For Giving Coats To The Homeless. Her Response? Brilliant!.
My poem is written with the third stanza a V. V for victory as this is what I think this young girl has achieved.
Written in reponse to Charli”s 99 word prompt where she asks:
April 8, 2015 prompt: In 99 words (no more, no less) write a renewal story that proclaims, “This isn’t the end; I will go on.” Think of the mythical phoenix that rises up from the ashes; of Cinderella after midnight on the night of the ball; of a hero that faces certain death; of love after tragedy; of renewing life’s lemonade transitions. Go where the prompt leads and own your story; the ones you’ve lived and the ones you imagine for fiction. Stand in solidarity with others to find the semicolons in life that chooses to nurture and not succumb.
Respond by April 14, 2015 to be included in the weekly compilation.Rules are here. All writers are welcome!
Cee’s Odd Ball Photo: Odd Balls around the Sydney Botanical Gardens
I’m not showing much garden in these odd ball photos. I was taken with the oddity of what looked at first sight to be a Red Indian woman’s face sitting in the middle of the harbour.
It was situated perfectly to be lit with the lights of the Sydney Harbour Bridge and Opera House in the background. On my arrrival at the face the blaring sounds of rap were resonating from the stage and the final presentations in what had been a triathlon were being undertaken.
In reality the face was part of the stage set for Verdi’s opera Aida. Tickets were sold out months earlier. The triathletes had dumped the gold that I assume would normally have adorned the stage unceremoniously at the base of the head.
Elsewhere in the gardens odd balls floated from the trees above some picnickers.
Whilst other remnants of the triathlon adorned the harbourfront.
In response to Cee’s Odd Ball Challenge
Shadow Shot Sunday 2: State Library of NSW (Mitchell Wing) and its muted shadows
On entering the library the shadows become muted as does the conversation. A reverent hush descends on those that walk the halls of the library (founded 1826) moved to this location as it could no longer house the growing collection.
In 1898 David Scott Mitchell told them of his bequest of 40,000 historical books, diaries, maps on the condition it would be appropriately housed. Thus the Mitchell Library was began in 1906 and completed in 1910.
On the floor of the Mitchell vestibule is a marble replica of the Tasman map. This historical document is held by the library, generously donated in 1933 by Princess Marie Boanaparte (grand niece of Napoleon). The replica in marble depicts the discoveries made by Abel Tasman on his two exploratory voyages in 1642 and 1644.
The Mitchell reading Room houses the Mitchell collection and provides access to the special collections which include unique manuscripts, photographs, pictures, maps, relics and ephemera. My own Great-Grandfather’s diaries are held here which tell of his daily work carried out in the slums of Sydney when he came to Sydney as a missionary from Scotland in the late 1800s.
The Shakespeare room is a room dedicated to the Bard. The ceiling is modelled on Cardinal Wolsey’s closet ceiling in his quarters at Hampton Court Palace. The room is designed in the Tudor style. The stained glass windows depict the seven ages of man. The library also holds the only copy in Australia of Shakespeare’s First Folio which was published in 1623.
A current exhibition of pulp fiction is a fascinating look into the 40s and 50s in Australia. As a conservative country the import of comics was banned. I now understand why I was not permitted to read comics as children as my parents obviously held the view of the government of the day that the reading of such items was detrimental to the being. A publisher, Frank Johnson, seen above, filled this void with pulp confidential: Quick and Dirty publishing. They included true crime, westerns, romance and our own Aussie brand of comic book.
What a wonderful place to hold a conference. The Institute for Interdisciplinary Inquiry was a fascinating and stimulating conference with the theme of revisiting Space(s) Time and Bodies but with such a wonderful venue to wander I was in seventh heaven. I arrived each day too early to catch shadows and by the time I left each day the shadows were long gone but the outside of the building has to be seen.
And what is a library without a resident cat?
In response to Shadow shot Sunday 2

















































