© irene waters 2014
© irene waters 2014
(13 photos) Margaret Olley (1923 – 2011) is one of Australia’s better known local artists. She was born in Lismore then moved to Tully in North Queensland to a sugar cane and beef cattle property. This eventually led to her being sent to boarding school in Brisbane – Somerville House. Here she was lucky to have as an art teacher Caroline Barker who learnt her trade from McGovern. She was talented and had won a scholarship to study art in London. Margaret Cilento was also a pupil at the school and Caroline took her two gifted students and gave them special instruction.
Margaret went on to art school and supported herself by painting theatre back drops. This created a hate of canvas and as a result she always painted on board, usually rested on her knee. She was lucky meeting an arty/theatre crowd and in 1946 Donald Friend persuaded the shy Brisbane girl to have a solo exhibition. She sold well and from that point didn’t look back.
She did a large number of portraits but she didn’t paint anyone but herself (not because she was narcissist but because she didn’t need to pay the model and she was constantly experimenting) and she never sold these paintings. She started with landscapes but soon discovered a love of interiors and still life. She was a very painterly painter.
Friendship was the most important thing in her life and she was a huge benefactor to the arts . She was considered the most knowledgeable person in Australia regarding the value of art works and spent much time travelling and visiting overseas galleries.
In 1948 she was invited to a party that she was to go as a duchess. She bought a parachute from army surplus and made a dress. Dobell painted her in this dress for the Archibald Prize. 14,000 people visited this painting in the first day of showing which put Margaret Olley firmly in the limelight. Margaret was again the subject of the winning Archibald prize in 2011 painted by Ben Quilty.
She bought the Duxford Street, Paddington cottage in 1964 initially living in two rooms. This became the backdrop for her painting. She particularly loved the yellow room as this was the room she and her one love Sam Hughes whom she met in 1973 lived until his death in 1982.
© irene waters 2014
© irene waters 2014
© irene waters 2014
She loved flowers and objects and from the interior of her house it would seem that nothing was ever removed. On her death the interior of her house was painstakingly moved from Paddington to a recreation of the building in the Tweed River Regional Gallery. What a pleasure it was to see inside this incredible woman’s life. Around me I could hear sighs of horror at the clutter. Perhaps because I am a poor housewife and a hoarder I didn’t see it as clutter but as good placement of her bits and pieces that was, for me, asthetically pleasing.
© irene waters 2014
© irene waters 2014
© irene waters 2014
© irene waters 2014
© irene waters 2014
© irene waters 2014
© irene waters 2014
© irene waters 2014
I thought given her love of flowers and the abundance of them in these rooms Margaret’s Interior was a suitable choice for Floral Friday.
Reflections and Nightmares- Irene A Waters (writer and memoirist) 