
© irene waters 2018

© irene waters 2018

© irene waters 2018
Before touching down at Cairo airport it had become apparent that the city was situated in the desert. Sand was everywhere. We were met by a man with a sign – the first time ever for me. As we weren’t sure who we were with we were none too sure that we had joined the right group. We were directed to a counter to buy our visas but nobody told us that this was where we should also exchange our money for Egyptian pounds. By the time we found this out the queue for visas (or perhaps money) was long and moving slowly and we had missed our opportunity. Not to worry – there was a bank at the hotel that our guide assured us gave the same rate of exchange.

© irene waters 2018
We were bundled onto a mini bus – 3 couples around our own age and two single girls probably in their fifties. Our guide made a suggestion. The first of many. As we couldn’t get into our room until 2pm (and it was now mid morning) we should add a tour which would take us to the oldest pyramid in Egypt, the Imhoteb museum, Memphis , a carpet school and included lunch at what looked to be a resort. Despite 26 hours without sleep we all agreed. We went to the hotel we were staying at to pick up two other single people who were joining our tour and off we went. More about that next time but it was worth doing.

© irene waters 2018
This gave us a lot of driving around Cairo and what struck us was the number of appartment blocks and the state of repair that they seemed to be in. Few seemed to be finished and yet there was evidence such as sattelite dishes, washing hanging out to dry and air conditioners that made us wonder.

© irene waters 2018

© irene waters 2018

© irene waters 2018
Most buildings had structural metal standing up on their roof space. We were told that this was so that if the family increased they had the ability to add an extra storey. This is a society where families live together. Another reason we also heard was that government taxes are cheaper for unfinished buildins so no building was ever finished although it was lived in. Another reason – The flats are sold unfinished and young men buy them so that when they go to negotiate a bride price they will be looked upon favourably by the girls parents because they own property. I thought – there must be a large number of unmarried men. By tradition the bride pays to decorate and finish the bedroom, bathroom and kitchen. The man does the remainder. We all considered setting up a business where we created finished flats without a cent to spend. Oh….. If only I were younger.

© irene waters 2018
The other thing that struck me as being so different from where I come from was the variety of transport used on the roads. There was cars, motorcycles, buses, trucks, mini vans, blinkered horses and camels. The traffic on the whole was horrendous. Traffic lights were a suggestion – not a rule and it seemed most people chose to ignore the red light. The noise was horrendous

© irene waters 2018
Although the traffic seemed lighter here it gave a good view of the apartment blocks and the noise was just as great coming from the highway above.

© irene waters 2018
From our hotel room looking down on the Nile and the traffic it seemed and sounded like bedlam. I determined that Cairo was not a city I wished to wander about in by myself. Not for safety issues but because I knew I would never get across the road. I thought it was worse than the traffic in Hanoi and I found that difficult to negotiate.

© irene waters 2018
The video with the sound gives you a small taste of Cairo.

© irene waters 2018
Cyan

© irene waters 2018
Aquamarine

© irene waters 2018
Aquamarine and Gold

© irene waters 2018
Gold

© irene waters 2018
Light pink

© irene waters 2018
and the hardest colour of all to find – Maroon.

© irene waters 2018
Cee has unwittingly chosen my favourite type of photography and my favourite past time – observing people unawares. I particularly love capturing facial expressions that let me make a story as to what the person’s thoughts are at the time. Obviously it is my take on what their expression means to me and may be totally unrelated to the actual. Floating down the Nile gave me opportunities galore to capture a glimpse into the lives of Egyptians I would have loved to have met and chatted to but the reality was that it would never happen.

© irene waters 2018
The man above was intent on repairs. It looked like something we would see in plumbing fixtures in our own homes but I doubt you’d ever see our plumbers down by the water bashing away with a rock to correct the shape or perhaps join two bits together.

© irene waters 2018
Naturally along a river there was a lot of boating activities whether it be fishing or simply getting from A to B.

© irene waters 2018
Time to take the cattle home for the night after a day’s grazing on the lush banks of the Nile. Tether Mum and and the calf will happily follow.

© irene waters 2018

© irene waters 2018
Feeding his workhorse.

© irene waters 2018
Everyone lends a hand with the crops although we didn’t see any women working anywhere on our trip. Always the men.

© irene waters 2018

© irene waters 2018
Fishing.

© irene waters 2018
Women stay at home looking after the house and children.

© irene waters 2018
One child gets to ride the other bring in the family cow.

© irene waters 2018
Walking with a purpose – perhaps another cow to bring home. I have so many of these photos of life along the Nile. It gives a tiny snapshot view of what life is like for the rural folk. I have to admit what I saw looked like appealing although I think it would be tough with money scarce and luxuries few. With a cow, a horse or donkey or even a camel you are probably considered a rich man.
In response to Cee’s Fun Foto Challenge prompt Catching people unaware.

© irene waters 2018

© irene waters 2018
Inside Quaitbay Citadel wood and stone and mud bricks give rise to interesting textures.

© irene waters 2018

© irene waters 2018

© irene waters 2018

© irene waters 2018

© irene waters 2018
There are three main celebrations on the island of Tanna in Vanuatu. All will see women with brightly painted faces. Tinsel has replaced wreaths of leaves for most women.

© irene waters 2018
Kastom (traditional) dancing is always performed both by the coast

© irene waters 2018
and in the highlands.

© irene waters 2018
The John Frum Cargo Cult holds its celebration in February each year with marching troops, entertainment and kastom dancing.

© irene waters 2018
When the boys return from the bush after being circumcised there is much rejoicing and celebrations.

© irene waters 2018
And western cakes are brought out by the children to celebrate a birthday.
Most of these celebrations were mentioned in the Australian Way in 1994.

© QANTAS 1994

© QANTAS 1994

© QANTAS 1994
where the second last paragraph on the above page says ” It is also evident now in colourful singing and Friday-night dancing celebrations. Today the followers serenade each other. A shyish group of Jon Frum musicians sing and dance for guests at the small, Melanesian-style White Grass Resort, co-owned by Roger and Irene Waters and Chief Namake, and, in the darkness outside, villagers congregate for their own impromptu celebrations. Everyone shares the music.

© QANTAS 1994
These celebrations and more are the subject of the memoir Nightmare in Paradise which was released in December – I am still celebrating this achievement.

© irene waters 2018
Thank you to Amy for this week’s prompt

© irene waters 2018

© irene waters 2018
“Look Pops. Someone’s painted on the wall. Mum sure would be mad.”
“It’s graffiti Donald.”
“What’s that.”
“Writing or drawing on a wall. We all want to leave a mark. You know. The oldest graffiti, a hand, is in Indonesia. Thousands of years old.”
“Do’ya reckon this’ll be here in thousands of years.”
“Not a hope and if it was done by Banksey he’s probably organised for it to self-destruct. You know though Donald, stuff going back even a few years gives a snapshot of ordinary people’s lives and what they care about.”
“So Pops, graffiti is pop culture.”

© irene waters 2018
When Charli gave us her prompt this week where she asked:
December 6, 2018, prompt: In 99 words (no more, no less) write a story about graffiti. It can be an artist, art or the medium itself. Get out your can of spray paint and go where the prompt leads you.
Respond by December 11, 2018. Use the comment section below to share, read and be social. You may leave a link, pingback or story in the comments. If you want to be published in the weekly collection, please use the form. Rules & Guidelines.
many things came to mind. We had just come back from Egypt and there was graffiti there that had been done by tourists over 2000 years ago. Was that the oldest. It made me look and I found that a hand with forearm was the oldest possibly 10,000years old drawn on a cave wall. Some of the graffiti in Egypt was simply an I was here statement. Others said what they liked and had responses to their comment. An antiquated trip advisor. As a child growing up the only graffiti I saw was on the back of the toilet door. An older version of facebook. Graffiti as art is a modern phenomenon but most won’t survive in time. It really is pop culture with the art reflecting the position of those that otherwise would not have a voice. Banksey probably made the best statement about graffiti recently when his art sold for i.4 million pounds and on the drop of the hammer it self destructed. Literally going, going, gone.
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